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by brian

Casting Notice_Oedipus Rex at Antioch College_The Faux Real Theatre Company

11:10 pm in Nonstop Institute, news by brian

Also see workshop series and production

For Immediate Release

7/30/10

Antioch College presents a Faux-Real Theatre / Nonstop Institute Collaboration

CASTING NOTICE: THE FAUX-REAL THEATRE COMPANY, A NEW YORK BASED ENSEMBLE, IS SEEKING 6 MALE ACTORS FOR THEIR UPCOMING PRODUCTION OF OEDIPUS REX AT ANTIOCH COLLEGE
Rehearsals begin August 13th and the show runs from August 20th – August 22nd at the Antioch Amphitheater. If you are interested in being in the show please emai: fauxrealtheatre@aol.com or call 917-687-4998 as soon as possible.

The Faux-Real Theatre Company, a New York based ensemble is seeking six actors for their August, Yellow Springs production of Sophocles’ OEDIPUS REX (translation by Robert Fagles). Antioch College will be presenting the show which is a collaboration between the Faux-Real Theatre Company and the Nonstop Institute of Yellow Springs. The show will combine eight New York based actors from The Faux-Real Theatre Company with six local actors from Yellow Springs and the neighboring areas.
Rehearsals will be from Friday, August 13th – Thursday August 19th. Most of the rehearsals will be in the evening although there may be one or two daytime rehearsals. The performances will be on August 20th, 21st and 22nd, 6:00 PM at the Antioch College Amphitheater.

The Faux-Real Theatre Company is a not-for-profit ensemble that has been creating theatre in New York City and the neighboring areas since 1994. Shows created by Faux-Real have included William Shakespeare’s Haunted House (which ran seasonally in NYC for 10-years) FUNBOX (which ran throughout NYC for 2 years), The Tinderbox (which was performed in playgrounds throughout NYC over the course of two summers) and Htebcam (a backwards reincarnation of Macbeth). Faux-Real‘s style of performance is extremely physical and combines classic theatre techniques with elements of modern experimental theatre.

If you are interested in being in the show, please contact Mark Greenfield at fauxrealtheatre@aol.com or at 917.687.4998. We are interested in working with actors of all experience levels, so if you are excited by the prospect of trying something new, but don’t have a lot of experience, we are still interested in hearing from you. If possible, please email a photo of yourself along with either a resume or a short list of any theatrical experience you may have had. No payment or fees involved.

Nonstop Dialogues Seek the New

10:19 am in Nonstop Institute, Press, news by Horace Mann

By Diane Chiddister, Yellow Springs News

Never ones to be constrained by conventional thinking, members of Nonstop Institute are taking an unusual approach to bringing interesting thinkers to Yellow Springs. In their series of talks this spring on higher education, Nonstop used high-tech but low-cost methods to create dialogue between members of the community and some of the most provocative thinkers in the nation.

This method differs in several ways from the more customary approach of a passive audience listening to a talking head. The Nonstop series, via Skype and iChat, electronically connected the experts, who were sitting in their homes and offices around the country, with the discussion participants in Yellow Springs. The guest speakers, who generally give about a 20-minute introduction before an hour-long interactive discussion with audience members, seemed eager to engage, according to Nonstop member Dan Reyes, an organizer of the event with Iveta Jusova.

“I sense that they’re excited about being taken off the beaten path” for the events, Reyes said in an interview last week.

Nonstop will this month bring via teleconference its most well known guest yet, the political philosopher and activist Michael Hardt of Duke University. Hardt is the author, with Antonio Negri, of a trilogy of influential works on the political and cultural landscape, Empire, The Multitude and The Commonwealth.

The event takes place at 7 p.m. on Thursday, June 17, at the Nonstop campus in Millworks, 305 North Walnut Street. It is free and open to the public.

Published in 2000, Empire was a publishing blockbuster that went through 10 printings, unusual even for a commercial book, but unheard-of for a 500-page academic tome published by the Harvard University Press.

“How often can it happen that a book is swept off the shelves until you can’t find a copy in New York for love nor money?…Empire is a sweeping history of humanist philsophy, Marxism and modernity that propels itself to a grand political conclusion: that we are a creative and enlightened species, and that our history is that of humanity’s progress towards the seizure of power from those who exploit it,” according to Ed Vulliamy of The Observer. Emily Eaken, reviewer of the New York Times, wrote that the book “is filling a void in the humanties.”

Hardt and Negri’s thesis is that the modern influences of technology, globalization and new models of production are breaking down barriers both within and between individuals, leading to new political and cultural opportunities. On a global level, they believe, formerly dominant nation-states are losing power and unorganized masses of people, which they call “the multitude,” are gaining it. Overall, they see the trend as empowering for individuals and for democracy.

“They see the old boundaries breaking down as both a time of crisis and a chance to rethink the culture,” Reyes said. “Hardt has food for thought for us, regarding how to move forward into a new realm of possibilities.”

Hardt’s analysis covers culture as a whole, and the upcoming dialogue will consequently cover broader territory than the previous discussions that focused on higher education, Reyes said. However, the Hardt event will, like the earlier events, encourage participants to re-consider the status quo and open up to new paradigms.

“When this works, it has a great impact,” said Nonstop member Brian Springer, regarding the Nonstop dialogues. “If it’s really good, it can change your intellectual spirit.”

While organizers were somewhat surprised that someone of Hardt’s stature agreed to take part in an event sponsored by a tiny group in a tiny town, they feel his acceptance has to do with his being intrigued by Nonstop. All of the participants, including Hardt, waived charging a fee to Nonstop after hearing about the group and its mission.

“We’re interesting to him because he’s interested in institutions that are in the process of becoming, that are thinking outside the old playbooks,” Springer said.

No one could accuse Nonstop of not thinking outside the playbook. Formerly called Nonstop Antioch, the group of about 20 working and board members are mainly former faculty of Antioch College. When Antioch University shut down the college in 2008, Nonstop members organized to offer classes without a campus, with the former faculty teaching in churches and homes, and reaching out into the community. They did so out of a desire to carry on the traditions and values of Antioch College, several said at the time.

Part of the Nonstop members’ decision to focus their spring dialogue series on higher education was their desire to understand the forces that led to the college closure, according to Springer, who believes that while the Antioch closing was an extreme and unusual manifestation of the threat to higher education, the same forces threaten many institutions today. Speakers in the series included Cary Nelson, an Antioch College alumnus and president of the American Association of University Professors, or AAUP, Ashley Dawson of the City University of New York, who spoke about her research into threats to academic freedom, and Sheila Slaughter of the University of Georgia, who discussed the effects of economic forces on higher education.

The series was “an attempt to understand how cultural forces created the conditions that led to such a catastrophe” as the Antioch College closing, Springer said.

While some of the original Nonstop members are now working at the revived Antioch College, the college’s new staff is small, and everyone could not be rehired — many of the former college faculty remain at Nonstop, Springer said. The effects of the decision to close the college are still reverberating, including that many of the former college faculty are about to lose their unemployment compensation, he said.

While Nonstop was originally funded by Antioch College alumni, it is now totally funded — its estimated 2010 budget is about $30,000 — by grants, gifts and supporting memberships, according to Springer, and its all-volunteer staff donates about $300,000 in donated labor yearly.

While Nonstop members are encouraged that the college alumni successfully reclaimed the college, they believe that they still fill a significant role in the community. Because they are mainly former longtime academics, they have a wealth of interests and expertise, and they want to continue making contributions to the Yellow Springs community.

“I see Nonstop as a complement to the revitalized college and to the humanities department at McGregor,” Springer said. Because the group is small, “it has more mobility to move and change” than do traditional institutions.

“We’ve become a flexible set of intellectual resources,” he said.

Nonstop members believe that the Yellow Springs community is an excellent place to apply those resources.

“This is an interested place. It’s vibrant and the people are curious,” Reyes said. “It’s not hard to have conversations here about topics that might be difficult somewhere else.”

Contact: dchiddister@ysnews.com

by brian

CALL FOR PROPOSALS – ORAL HISTORIES PROJECT

8:43 pm in Nonstop Institute, news by brian

FOR IMMEDIATE RELEASE:

A CALL FOR PROPOSALS – LOCAL STORIES—AN ORAL HISTORIES PROJECT

Nonstop Institute of Yellow Springs announces its second Artists Residency program

Application deadline: June 8, 2010 – Apply Now

Nonstop Institute seeks proposals for its upcoming residency program Local Stories—An Oral Histories Project. The selected projects will incorporate an oral history (or histories) grounded in the lived experience of Yellow Springs and neighboring locales and can be expressed in a range of art disciplines and presentation formats. The proposals can be focused through subjects including but not limited to a person, a neighborhood, a period of history, or any of a community’s shared natural, cultural and civic resources. Application deadline is June 8, 2010.

The final installations can be 2-d or 3-d work, media-based, text-based, performative, interactive or combinations of these ways of engaging subject matter and audiences. The four selected residency artists (can also include documentarians, writers, cultural geographers, others involved with oral histories) will have access to workspace at Nonstop for 7 weeks starting June 14. Opportunities for dialogue among residency artists and producers is an important component of this on-site residency project. The final projects will be installed and exhibited in Nonstop’s spaces in early August, using either a section of Nonstop’s 2000 sq ft exhibition space or its virtual website space. Components of the projects can also occur as a performance or screening in Nonstop’s main space.

Local Stories—An Oral Histories Project invites applications by artists and documentarians working the southwestern Ohio region and will consider proposals by producers at any stage of their careers. Project jurying will be based on both the specific proposal for Local Stories—An Oral Histories Project and examples of past work. Four proposals will be selected, and at least two of the four will be current residents of Yellow Springs. Each artist selected will receive up to $150 for supplies. Further information and application forms will be available starting May 13 at this webpage.

This project is made possible in part by the generous support of the Yellow Springs Community Foundation.

For further information please contact Chris Hill at 937- 767-2327 or chris.hill@nonstopinstitute.org .

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